Noh
(能, Nō), or Nōgaku (能楽, Nōgaku) - A major form of
classic Japanese musical drama that has been performed since
the 14th century. Together with the closely-related kyogen
farce, it evolved from various popular, folk and
aristocratic art forms, including Dengaku, Shirabyoshi, and
Gagaku. Although Noh has been slow and stylised for several
centuries, its roots can be traced back to the Tang
Dynasty's Nuo, (傩, 戏), Sarugaku (derived from "Wu musical"
traditions in various Chinese dynasties), and folk
theatricals.
Kan'ami
and his son Zeami brought Noh to its present-day form during
the Muromachi period under the patronage of the powerful
Ashikaga clan. It would later influence other dramatic forms
such as Kabuki and Butoh. During the Meiji era, although its
governmental patronage was lost, Noh and Kyogen received
official recognition as two of the three national forms of
drama.
By tradition, Noh actors and musicians never rehearse for
performances together. Instead, each actor, musician, and
choral chanter practices his or her fundamental movements,
songs, and dances independently or under the tutelage of a
senior member of the school. Thus, the tempo of a given
performance is not set by any single performer but
established by the interactions of all the performers
together. In this way, Noh exemplifies the traditional
Japanese aesthetic of transience, called by Sen no Rikyu "ichi-go
ichi-e".
Information source: “Noh.” wikipedia.org. Article date: 4
Feb. 2008. Retrieved: Wikipedia. 4 Feb. 2008 <Noh>. |
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